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IT: Chapter Two and the problem with reviews (Mild Spoilers)

Yes, you read that correctly.

I want to talk both about the genius that was It: Chapter Two and the issue with movie reviews – and trust me, the irony is not lost on me. To be perfectly candid, I don’t necessarily consider what I do here to be “reviews”. This started out as a “horror review blog” for a class my freshman year of college, but honestly I view it more as a place for me to gush about the horror movies I love without annoying everyone in my life. It’s an outlet for me to ruminate on horror and the genre and all things surrounding it, and all three people who read any of these posts (hi Dad) get to choose whether they listen to my nonsense.

Film critics are a totally different animal to me. I have never listened to film critics…I don’t even read reviews unless I have already seen the movie and want to hear another perspective. Personally, I think that most people making their living on reviews are jaded and impossible to impress as it is let alone when it comes to a genre that is already extremely polarizing.

Which brings me to It: Chapter Two…

I thought it was brilliant. Do I love the Native American lore being use for a story written by a white man? No. But Stephen King also seemed to have an obsession with using Native American lore/legend/land in his stories. (Let’s not forget that Pet Semetary which also just got a remake is ALL ABOUT A NATIVE AMERICAN PIECE OF LAND). Granted, the 80’s in general had an obsession with using Native American land as a copout *coughcough* Poltergeist *cough*.

BUT aside from the obvious cultural appropriation, and some qualms with how Bev was written which I will get into later, I really have no complaints about the film.

Lets start with the casting:

The detail they put into casting the adult versions of the characters was absolutely mind boggling. I was impressed by the cast when they released the initial photos, but it was nothing compared to seeing them in character.

Bill Hader was definitely a stand out in this film, and it was only enhanced by the fact that Richie is very obviously a closeted gay man and Hader  Granted, I wish they could have given us an actual coming out scene (even if it was just  small moment of admitting it to the Losers) but when diversity in horror is so low when it comes to sexuality I am happy to take any and all we are given.

James McAvoy was also great as Bill, but I’ve never been as head-over-heels for him the way 80% of the female population seems to be so while he was great (because he’s just a great actor) I wasn’t overly excited about him the way a lot of fans were.

Honestly, I was surprised by how much I loved James Ransone as Eddie. I saw Ransone in the Sinister films where he played a deputy (and an ex-deputy in the second one), and I wasn’t sure how confident I was in his acting chops. Partially because I haven’t seen the Sinister films in a long time and partly because he wasn’t memorable enough for me to automatically be excited about his casting. However, the combination of Hader as Richie and Ransone as Eddie was a comedy duo that enhanced the film and didn’t override the horror. Personally, I’d pay to watch a film of just those two actors in those two roles sitting in a room and just bantering for 2 hours. I realize calling Ransone unmemorable is not the kindest, but honestly those movies in general weren’t the most memorable so it wasn’t Ransone’s acting, but the character he played.

The rest of the cast was great and definitely shined, but going person by person seems like a bit of overkill…but let’s talk about Bev.

Bev in the first movie is a firecracker who stands up for herself, is more than just the token girl of the friend group, and actually is her own person. Bev in the second movie is…well..a prop. Granted, years of abuse by both her father and her husband are probably enough to make anyone timid and boring, but the character was just very disappointing as a whole to me. I feel like she existed just to be the object of Bill and Ben’s affection rather than being written as an actual human being. If I recall, it was very much the same thing in the mini-series from the 90’s but worse because Bev had sexual tension with all of the men and not just the two.

BUT I DIGRESS

Aside from the aforementioned issues I had – I really loved it. I think that one of the things people disliked was the CGI (the giant statue chasing Richie, the leper that attacks Eddie, the old woman in Bev’s old apartment). It is the type of thing that we aren’t used to seeing in modern horror. There’s this idea that the less you see if a villain the scarier they are, and in a lot of cases that’s true, however the way that It: Chapter Two was crafted feels like a love letter to horror movies of the 80’s. The terror of Pennywise and all the evil that comes along with him is how along each person is with their fear. Nobody can see the giant statue come to life and chase Richie through the park, but that doesn’t make it any less dangerous to him.

I’m enjoying the shift we’re seeing in horror, and I think we’re entering a new era of horror films. This can also be seen, on a smaller scale, in films like Insidious and The Conjuring. Without spending too much time on films that aren’t It in this post, Insidious was one of the first modern horror movies I remember moving away from the idea that the monster should never be fully seen or in view (the demon at the end of the first film, or the ghost of the mother in the second one who confronts them flat out) and the The Conjuring 2 used the same type of CGi for the Crooked Man.

From someone who does not have a degree in horror or film (whatup English majors), but spends 80% of her time ingesting horror content I think we are on the brink of the newest era of horror. In the early 2000’s slasher films/teen horror had their moment (Saw, Hostel, remakes of House of Wax and Friday the 13th), the 2010’s brought back a lot of haunted house content (Insidious, The Conjuring, Annabel) and I think we are starting to see another shift to horror that confronts the viewer more directly.

Personally, I think that’s very exciting.

I had someone tell me once that classic horror movies didn’t scare them because they “Didn’t know what was scary back then”, and while there are many layers to pull apart and discuss in that sentiment the main thing to talk about is the phases horror has been through. To be fair, horror is a rather new genre compared to genres like drama, comedy, or even fantasy. Gothic literature is really the mother of the modern horror genre, and it is still a genre that doesn’t get the respect it deserves. Films like It and It: Chapter Two are pushing back on people’s understanding of how horror works and what makes a movie scary. Let’s all just be happy that we’re finally getting a break from first person camera and zombie films for now.

My point in telling you what this person said is not to say they’re dumb or make fun of them, but simply to say that we are living in a generation that doesn’t understand or appreciate the classics. Yes Friday the 13th can be cheesy, but watching that arrow go through Kevin Bacon’s throat still gives me nervous tummy! In 20 years (assuming the world hasn’t burned by then) our kids will be telling us that directors working now “didn’t know what was scary”. People disliking it didn’t seem to come from anything more than misunderstanding the genre, and when people don’t like something their automatic response is that it’s bad…but just because you don’t like something doesn’t make it “bad”, it just means it’s not for you!

If you haven’t seen It: Chapter Two yet I highly recommend it. I was extremely excited, and not  disappointed (other than maybe Bev). It is worth the outrageous cost of movie tickets, and I’m honestly just curious what people’s thoughts are on the shift we’re starting to see in modern horror films. If you have any thoughts my email will be down below and you’re welcome to send them to me!

I realize that most of my rambling in this post wasn’t about the movie itself, but honestly I feel like it’s one you just have to see for yourself.

It IMDB

It Wiki

It Trailer

It: Chapter Two IMDB

It: Chapter Two Wiki

It: Chapter Two Trailer 

It (1990) Wiki

Send me your thoughts to wickedlittleblog@gmail.com

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Mini Post 2: Meeting Doug Jones

I had the privilege of going to the Pop Culture Association 2019 Conference in DC a couple weeks ago. I delivered a paper I wrote about The Haunting of Hill House (which let’s be honest, ended up being primarily about Theo because I’m obsessed with her) and how it is a wonderful example of feminism in horror. One of the biggest speakers they had was Doug Jones.

Do you know who Doug Jones is?

Can’t place him?

I promise you have seen him in at least 2,000 movies/TV shows. They like to refer to him as “the most famous actor you’ve never seen”. He is an actor who specializes in characters, and I’m going to include photos of some of his most famous roles below.

The first time I fully realized just how big of a Doug Jones fan I am was when he was interviewed on the Buffering the Vampire Slayer podcast. They started going through some of his biggest roles, and I was floored. Not only did he play one of the main two Gentlemen on the episode Hush of Buffy the Vampire Slayer, but he has been in myriad Guillermo Del Toro movies and is now one of the main characters on Star Trek Discovery.

I was able to meet Mr. Jones, and he was one of the nicest people I have ever met. He seemed genuinely happy to be at the conference and to meet and talk to his fans. When I told him I had promised my mom I would tell him the Gentlemen are still the scariest thing she’s ever seen he seemed so sincerely touched, and he was so willing to take a photo with me. As someone hopeful of being in the horror industry, meeting someone like Mr. Jones who was so genuine and kind and down to earth gave me a lot of hope for the entertainment realm.

It is also a perfect time step back and realize that there are so many unsung and underappreciated actors and performers who are part of some of the most incredible horror/fantasy/sci-fi projects that we never take the time to fully appreciate because they are behind masks or makeup or CGI.

The slideshow below is nowhere near comprehensive of Mr. Jones’ work, but it will give you an idea of how many movies you have seen him in without ever realizing he was the same person. I’m also very aware that this post is just a moment for me to totally fan girl over meeting one of THE GENTLEMEN…but let me live a little bit.

Doug Jones IMBD

Doug Jones Wiki 

Doug Jones Twitter 

Doug Jones Instagram 

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They’re Us *SPOILERS*

UsSo…

I needed some time to sit and process Us before I could fully articulate what I think. This is a movie that can’t really be talked about without spoilers, so I’m giving you one more chance to bail before anything is ruined.

3…

2…

1…

Okay, I’m assuming if you’re still reading that means that you have either already seen the movie or you’re a masochist who doesn’t mind spoilers.

Let me start off by saying I really, truly enjoyed Us. It was scary and different and the cast was absolutely incredible. Jordan Peele is a genius at merging horror and comedy in a way that I haven’t seen before. Even in the most intense scenes a well-placed and well-timed joke can release some tension, and give the audience a well deserved break before things get even more tense.

So what exactly is this clone/doppelganger horror flick really about?

The trailer did an incredible job of giving just enough without showing all the best scenes, which is a problem that plagues many horror films. There’s either too much, or it makes the movie look like something completely different than what it actually is.

The follows the Wilson family as they go to they head to their beach house for the summer. The family consists of mom Addy (Lupito Nyong’o), dad Gabe (Winston Duke), daughter Zora (Shahadi Wright Joseph), and son Jason (Evan Alex). The Wilson’s aren’t there for more than 12 hours before their exact doubles show up, and attempt to kill them.

The opening of the movie takes place in 1986, and we see a young family at a carnival on the Santa Cruz pier. Tension between the mother and father is clear, and the young girl with them seems extremely aware that things are unhappy between her parents. When her mother leaves to go to the bathroom and her father plays Whack-a-Mole the little girl wanders off and finds herself in a fun house. On the way, she passes a man holding a sign that says “Jeremiah 11:11”.  Inside the fun house the girl gets turned around because of all the mirrors, and the scene ends with her bumping into what at first appears to be another mirror with her reflection only for her to turn around and the “reflection” to keep it’s back turned.

The audience is the thrown back into the present, and we join the Wilson family. When Gabe announces they are going to meet their friends at the Santa Cruz beach, Addy becomes visibly anxious. They bicker back and forth about whether or not the family will go to the beach, but eventually Addy gives in when Gabe agrees that they will be home by dark. This is the first moment it becomes clear that Addy was the young girl from the opening scene.

On their way to the beach they pass an ambulance loading a dead body into the back. The body has bleeding wounds, and carved into his forehead is “11:11” indicating that he is the man Addy saw when she was young. This is the first tip off (in modern day at least) that something is very, very wrong in Santa Cruz. Later at the beach, Jason goes to the bathroom by himself and sees a man standing with his back to him, with his arms out stretched, face to the sky, and blood dripping off his hands. Addy is in hysterics, and chastises her son for leaving without telling her where he is going, and the Wilson’s head home.

Once they’re home, Addy recounts her childhood experience to her husband. The flash back cuts off right as she and her doppleganger come face to face and adult Addy says “I ran as fast as I could.” And here in lies my first qualm with the story telling.

Let’s all be very honest for a moment: Jordan Peele, while an incredible horror writer and director, is still very new to horror. He has mastered so many specifics of the genre, and I’m so impressed by his work. That being said, Us is only his second horror film and with the genre comes  so many nuances that I don’t think any first time horror director is able to perfectly master all of them. Peele tries to leave us a few bread crumbs to indicate that (and here is the first SPOILER) Addy is, in fact, the doppleganger we saw earlier who took her under ground and switched places with her. Where the flash back is cut off, the fact that we find out Addy did not speak once her parents found her, and her mother telling the child psychologist “I just want my daughter back.” were all supposed to be crumbs…in my opinion, however, they were more like neon arrows pointing to the switch that was made.

Of course! This is just my feelings towards it, and it may be different for other viewers. I will say that I feel as though Get Out was much more subtle in leading us towards the deeper sinister goings on.

So, we finally meet the other family. Let me skip right to the point: the Other Addy tells a story of “the girl and her shadow”, which is the only time I thought maybe I was wrong about Addy being replaced with the doppleganger. Later, once Addy has made it down to the facility where the dopplegangers were being kept the Other Addy explains that the were created to be “tethered” to the people above, and she thinks it was in order to control the people above. But jokes on them, because the the Tethered wound up being controlled by the people above. There are scenes that show what happens above and how the Tethered are controlled by the above ground people that are absolutely stunning. Tethered Addy, once she is above ground, is put into dance by her parents to encourage her to express herself. Peele choreographs a scene that cuts in scenes of Tethered Addy dancing on a stage above, and the fight between Tethered and Other Addy that is one of the most stunningly choreographed scenes I have ever seen on camera, and Black Swan is one of my favorite horror movies.

I have a lot of back and forth on this movie: on one hand, it is a stunning example of horror married with comedy, and it’s some of the most beautiful film making I have ever seen, but on the other hand there is a lot of rabbit trailing and some loose ends I would have loved to see better tied up.

BUT…

All that to say, I enjoyed it SO much. I was scared, I was moved, I was challenged to think about deeper issues…and that is everything a horror movie should do for you. Also, Lupita Nyong’o gave one of the most incredible performances that I have ever seen. I have been thinking about it ever since, and honestly I want to watch it a million more times specifically for her performance. The fact that she is portrayed both our “protagonist” and our “antagonist” (though both Addys could be pro- and antagonist depending on your view) and you really feel like you are watching two completely different people’s performances is absolutely incredible. Regardless of how you feel about this movie, there is no denying her talent and the life she brings to these roles.

This is a movie I would really love to hear thoughts on. You can DM me on Instagram (@wickedlittleblog) or email me (sarahkrodden@gmail.com) with your thoughts. Please specify in the subject line that it’s about this if you email me!

Us Trailer

Us IMDB

Us Wiki

Jordan Peele IMDB

Jordan Peele Wiki